Tag Archives: A. Catherine Noon

Weave-It!

Knoontime Knitting

I inherited a new old tool from my mother’s estate called a Weave-It. I spent a large portion of today playing with it.

Before I show you my work, check out this website for how the experts do it:

http://store.buxtonbrook.com/instruction.aspx

Okay. Here is the first swatch I did. I couldn’t get the edges to lock, so it’s not stable; but I like the look. It’s Lion Brand Homespun in a colorway I don’t recall from a couple years ago. The weaving came out a lot flatter than the knitted version looks.

This next one is done on the smaller loom, 2×2. I had the same problem with the edgings.

So after looking at the website, I realized I wasn’t catching the edge threads properly. It does come with an instruction book, but I have a very difficult time going from 2-D to 3-D, and that really was the case here. The website was extremely helpful, and I was able to do this:

So I got out some scrap cotton yarn and…

it broke.

🙁

Moral of that story, use better yarn. I was only an inch from the end!

Not even an inch! But my tension was REALLY tight, which is something the instructions tell you to watch out for – and boy, they ain’t kiddin!

But I had fun. I think if I got faster, I’d be tempted to play more, but if today is any indication, it’s slow going. I’m much faster knitting (which, to be fair, I am no novice at), and even crochet (which, to be fair, I’m quite the novice at).

Happy crafting!

Sewing Lessons, Here I Come!

Knoontime Knitting
I have decided that one of my holiday gifts to myself will be sewing lessons! Those of you who know me, know that this is a little silly, since it will be the third, yes THIRD, time I have taken it. Well, third time’s the charm!

I will be studying with Veronica Brackett, one of the best teachers ever! (And I mean that!) She is awesome. An incredible seamstress, she is patient and kind and an excellent instructor. I hope to actually finish class this time, and emerge successfully with a skirt out the other end!

I will be making a Vogue Pattern, and am very excited.

Crochet Victory!

Knoontime Knitting
I have successfully figured out crochet! I got a great book, one of the Interweave Press Harmony Guides (which I highly recommend, by the way).

Harmony Guides: Basic Crochet Stitches 250 Stitches to Crochet, by Erika Knight.

First I did several swatches, experimenting with Single, Double, Half-Double, and Treble crochet stitches. Then I dug out some red yarn I had left over from a project and got to work. It’s a combination of Half-Double and Treble stitches and turned into a scarf for Michael.
Here it is in its entirety:

And here is a stitch detail:

Weird Goofy Tree Ornaments

Knoontime Knitting

My knitting guild, The Windy City Knitting Guild, volunteered at the Museum of Modern Ice festival in February, 2008. We put together a giant craft studio, with knitting and other handicrafts. Some of the many things they had available were pipe cleaners, beads, and little satiny balls that look like tree ornaments. I got to thinking. When I was little, we used those little triangle beads to make wreath-shaped ornaments… what if…?

Figure 1: Okay, it looks goofy. But it’s the only one of its kind in the world, so be nice to it. It’s lonely.

Figure 2: Side detail of lonely ornament of doom. The beads came out kind of blury, but the little satiny ornament thingies are clear. I mean, don’t they remind you of ornaments?

Knitting Ballz

Knoontime Knitting

This is from Handknit Holidays, by Melanie Falick – which if you don’t have it, is an excellent book. They’re really easy to do, actually. Easy practice for circular knitting.

Figure 1: This was the first one I made. I stuffed it with yarn bits. I need to buy some batting! (Because I can’t finish the rest of the balls I’ve made, but don’t tell anyone…) This is made with some cool overdyed yarn that we had for a community project last year (2007), with some navy acryllic that I had gotten at a garage sale (it’s really awful and scratchy, but you can’t tell on the ball).

Figure 2: This is another ball using the same yarn but a different pattern. I call it Windowpane, but I don’t know if it has another name. It’s a slip stitch pattern using two colors, a MC (navy) and CC (the overdye). Knitting in stockinette, 2 rows MC, 2 rows CC – but with the CC, knit 1, then slip 1, etc. (If you’re knitting flat, then on the row back you’d purl and slip.) Carry the color not in use up the side of the knitting. If knitting in the round, it helps to have a stitch marker to show the beginning of the round.

Figure 3: This is done with some of the acryllic I got at that garage sale. It’s really awful stuff, perfect for ornaments. It’s got a stitch pattern that didn’t work out very well, I tried to do some striping and such. The loops are crocheted chain stitch; but you could just as easily to a 2 stitch i-cord.

Figure 4: And the piece de resistance: do NOT use ugly goldenrod acryllic on the large ball. You can’t really tell it very well here, but I tried to use my hand to show perspective – this is the 5 inch ball. It’s horribly ugly. I did more patterning with it, using garter rows on the bottom and seed stitch in the center.

It was cute, though. When I finished it, I was on the train. I looked up at one point and realized I had an audience. (The train was packed for evening commute.) So I set it on my lap and stuffed it. The looks on the faces around me when they realized what it was made me laugh. Never underestimate the power of handicrafts to break the ice. NOBODY on the train in Chicago talks to each other, it’s just “not done.” But I had five or six people all interacting with me over this horrible, ugly, scratchy ball. It’s kind of growing on me; my ugly duckling ball of doom.

Pysanky Day Continued…

Knoontime Knitting
Figure 4: This is from Ukrainian Design Book 2, Egg 14. This is after the first dye bath, yellow. As you can see, the color is not very brilliant, which means I need to remix it.

Figure 5: Another view of the egg. The eggs are very wet after the dye bath. We use paper towels to blot the eggs and then let them air dry before adding more wax.

Figure 6: Another view of the egg with wax covering the first section of design. The red egg on the left is a finished egg. Three kistki are behind the yellow egg along with the beeswax.

Figure 7: This is from Ukrainian Design Book 1, Egg 1. It’s finished with the last dye bath, wax still in place. (I’ll show it once I take the wax off, but I’ll do that another day.)

Figure 8: Side view of egg. The yellow part is beeswax, as is the black. The blackened was is from the carbon from being melted. If you use an electric kistka, shaded wax is available since it won’t have the carbon.

Figure 9: This is Egg 2, Design Book 1. The design calls for purple, which I didn’t have made up, so I used Scarlet in the prior dye bath and then Royal Blue. When I took the egg out, it didn’t really blend with the Scarlet and now has dots of color, both Scarlet and Blue.
Figure 10: Side view of egg. The knitted balls in the background are for decorating a tree.
Figure 11: Design Book 1, Egg 3. This is the first dye bath, yellow, but as you can see from the picture the dye is very pale. I have a Gold dye as well that I may experiment with instead of the yellow.
Figure 12: Top view of egg. This is just the first dye bath. I’ll add more at the next time we decorate.
Figure 13: This is all of the eggs we decorated. Of the four yellow eggs, three of them are the Design 14 that we did together. The black, blue, and yellow are the ones from Design Book 1.

Pysanky Day!

Knoontime Knitting

This was the first Pysanky Day we’ve done for this year. We’ve got another one scheduled on April 14th since we didn’t finish.

Pysanky are traditional Ukrainian decorated eggs, a craft that has a 4,000 year history. I enjoy them because it’s a chance to play with something three-dimensional but using two-dimensional techniques – drawing and writing.

Essentially, you start the design on a clean egg in pencil. Then using a stylus called a kistka, melted wax is applied onto the egg. Successive dye baths add color, and using the wax-resist process, the design accumulates. When finished, the egg is covered in wax which is melted to reveal the design. Many artists then cover the egg with a polish to bring up the colors.

One of the cool things about this is that you start with a raw (uncooked) egg and just paint it. You don’t have to blow out the innards, though some artists do. I don’t, because it gives me a headache. After a few months, the egg will naturally dry out – no other preparation is required.

Figure 1: Applying wax to raw egg.
You can see the outline from the pencil under the stylus. The stylus is filled with wax and melted using a candle, then the melted wax is applied to the egg. It’s a little tricky to keep the stylus from dripping; I’ve found that if you only heat the tip then it melts more slowly and doesn’t goop.

Figure 2: Second view of wax application.

On the paper towel in front of the artist, you can see the yellow and black cake of beeswax used.

Figure 3: First dye bath, in this case yellow.
Eggs are left in the dye for ten to fifteen minutes. Dyes can be preserved from year to year, and remade when they don’t dye as brilliantly. My yellow was made three or four years ago and only now needs to be replaced.